Through a happy coincidence, a friend invited me over to watch the English-language Korean release of the sci-fi thriller Snowpiercer. The US distribution rights have been purchased by The Weinstein Company and it’s scheduled for a US release on June 27, so this review is of what’s possibly a slightly different version (though industry buzz is that the changes that TWC asked director Bong Joon Ho to make were all rejected).
I’m a sucker for apocalyptic and post-apocalyptic movies, as I have written about before, whether the plague is zombies, alien invasions, pandemics or just vague nuclear warfare. There’s something about prying open the veneer of civilization to see what’s inside that I find quite fascinating.
Snowpiercer, however, can’t decide whether it is a socially aware post-apocalyptic movie or a horror film and instead tries to meld the two with only limited success. Based on the acclaimed 1982 French graphic novel La Transperceneige, the film begins with a series of radio broadcasts that explain that the nations of the world got together to combat global warming by seeding the clouds with a chemical called CW-7. It backfires and the entire world is plummeted into an ice age.
Everyone dies, everything is a frozen wasteland, except the lucky people who were on Snowpiercer, a self-contained 1001-car long train that continually circumnavigates the globe.
The majority of the film takes place 17 years after the disaster and the train’s first, second and third class accommodations have devolved into a very strange universe where the wealthy enjoy the luxuries of the front cars while the rabble, the great unwashed are trapped by force into the last grouping of cars, dirty, angry, kept at bay by armed guards, and fed gelatinous bars of protein (you don’t want to know how they’re made but you’ll find out anyway).
The leaders of the downtrodden are the young, headstrong Curtis (Chris Evans) and the wise old Gilliam (John Hurt). Curtis and his buddy Edgar (Jamie Bell) are fed up with their terrible treatment and are determined to storm the front cars of the train and take over, regardless of the cost. When the weird Mason (Tilda Swinton) shows up with a retinue of guards to take a couple of under-5 children, the class war erupts, and when Gilliam is killed, Curtis wreaks his revenge by murdering Mason in cold blood. Class warfare is rough stuff.
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