Results tagged “amanda peet”

gullivers travels one sheetI attended a preview screening of Gulliver's Travels about a week prior to it opening nationally. Most film screenings are theaters full of families who have scored free tickets through newspaper advertisements, radio promotions or similar, with a small number of seats reserved for us critics. The more base and crude the film, the more this can feel like the studio manipulating us reviewers: critics generally prefer complex, sophisticated films that tap into the rich language of cinema, but jam a theater full of people seeing a movie for free and it's date night, paid by Paramount, Universal, Fox, Miramax, or similar.

Gulliver's Travels was exactly the kind of film where this proved important, because there were many times during the screening of this sophomoric movie that I cringed, even as the majority of the audience laughed or cheered. The example that stands out is when Gulliver (Jack Black) first arrives at the miniature kingdom of Lilliput and puts out a raging palace fire by dropping his shorts and urinating. That's the level of sophistication that scriptwriters Joe Stillman and Nicholas Stoller targeted in this crude adaptation of the splendid Swiftian story from the early 1700s.

Black is mailroom clerk and general shlub Lemuel Gulliver, the least important employee at the New York Tribune. He's in love with travel section editor Darcy Silverman (Amanda Peet). After straight-arrow new hire Dan (local Denver comedian T.J. Miller) goes from Gulliver's sole employee to his boss in a single day, Gulliver fumbles an attempt to ask Darcy out by instead applying for a travel writing assignment. His assignment? Head down to the Bermuda Triangle and unearth its secrets.

Thus begins a ridiculously improbable sequence of events that lands him on the island of Lilliput, a place where everything is 1/12th normal size, including the daft love triangle of Princess Mary (Emily Blunt), pompous General Edward (Chris O'Dowd) and imprisoned commoner Horatio (Jason Segel). The story is so predictable that the only pleasure in the film is the special visual effects, and they are impressive, done by the effects team that created the far more entertaining Night At the Museum movies.

I'll be blunt: Gulliver's Travels isn't worth your time unless you're a fan of either Jack Black or computer graphics. I wouldn't even rent this unless you're entertaining a basement full of teen boys. Black has the ability to make smart, thoughtful comedies, but it's been a painfully long time since Be Kind Rewind and King Kong.
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2012 one sheetCan you hear that sound? It's a crack slowly but unceasingly running through the Earth, a crack that will tear buildings apart, leave gaping crevasses where previously there were roads, and rip children out of their parent's hands, to plummet to their deaths as the world collapses.  But all is not lost, a few hundred thousand people have a secret plan to escape the worldwide destruction and start humanity anew, reseeding the Earth post-apocalypse.

Or maybe it's just the sound of people gnashing their teeth in frustration as they try to follow the cliché-ridden storyline that loosely holds together the mayhem and destruction that is at the heart of Roland Emmerich's new end-of-the-world film 2012.

To be fair, I was quite impressed by the first hour of the film. It unfolded very well, starting with Indian scientist Dr. Satnam Tsurutani (Jimi Mistry) explaining to US government scientist Dr. Adrian Helmsley (Chiwetel Ejiofor) anomalous neutrino count measurements due to solar flares.  "Neutrinos," he explains, "appear to have mutated into a new kind of particle, and it's heating up the Earth's core."

Turns out those savvy Mayans, hundreds of years ago, foresaw the alignment of our solar system on December 21st, 2012, and predicted that day would be the end of the world as we know it. More recent experts, notably a chap from back in the 1950s called Professor Hapgood, theorize about Earth Crust Displacement, the idea that a sufficiently cataclysmic event (like heating up the Earth's core) will cause the tectonic plates to shift quite significantly which ends up as the heart of this exciting special effects rollercoaster.

If you're going to strap in for the ride, though, make sure you go to the restroom first -- it's incredibly long with a theatrical release of 158 minutes (just shy of 2 1/2 hours) -- and make sure you check your credibility at the door. The dialog, the quiet interstitials, uh, sorry, scenes between the main characters are often so painfully banal and tedious that I almost wanted to see the "all destruction!" version where they just edited out those scenes.
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