There are two fundamental problems with the action "comedy" Pain and Gain: First, Michael Bay is the wrong director for this sort of material, and second, whoever cast the likable Mark Wahlberg and Dwayne Johnson in the film made a terrible mistake. I like Wahlberg and Johnson, and that's the problem: In the film the criminal masterminds they portray are such losers that it's just wrong to have these two popular actors in these roles.
Pain and Gain is based on real life events: Sun Gym was a cut-rate bodybuilder's gym just north of Miami, marketed and mostly run by a self-aggrandizing personal trainer with a shady past. Daniel Lugo (Mark Wahlberg) trains all the rich and beautiful Miami denizens and has a buddy Adrian Doorbal (Anthony Mackie) who shares Lugo's dissatisfaction with the crummy deal they've got. "You ain't gunna be rich being a personal trainer" they repeat like a mantra.
Enter rich Jewish entrepreneur Victor Kershaw (Tony Shalhoub) who taunts Lugo about his wealth, his cars, his houses and his women. Being poor is a state of mind, Kershaw keeps telling Lugo. When Lugo goes to a motivational seminar run by Johnny Wu (Ken Jeong) and affirms in front of a crowd that he's a DOER not a DON'T'ER, he hatches a scheme to kidnap Kershaw and force him to sign over money and property.
Add fresh-out-of-prison Paul Doyle (Dwayne Johnson) as the new muscle-bound trainer at the gym and we have our three stooges. When Doyle, Lugo and Doorbal kidnap Kershaw, they figure it'll be a breeze, maybe a day or two tops before Kershaw buckles and gives them everything they want. Except he doesn't and the kidnapping drags out for weeks. There's more to their criminal hijinks, and after Kershaw gets free and tells all to the cops, just to find they don't believe him, the forces of justice end up personified as semi-retired private investigator Ed DuBois (Ed Harris).

Dwayne "The Rock" Johnson has successfully transitioned from a pro wrestler to an actor with some decent films to his credit, including The Rundown, a remake of Walking Tall and Get Smart, along with, inevitably, some real clunkers, including the oddly off-the-mark remake of Race to Witch Mountain and the ghastly Tooth Fairy. Johnson is solid in Faster, and it's a pleasure to see him back in top form.
I take notes as I watch films so that I can remember salient plot points, great effects, and idiotic story twists. During The Other Guys, I wrote down "buddy cop film from hell". That might well sum up the weird mashup that is The Other Guys, a movie that can't decide if it's a straight-up action film, a satire that skewers the well-worn buddy cop genre, or a daft, sophomoric comedy in the vein of Police Academy.
If we land on another planet -- or back here on Earth -- and find something other than what we expect, who is the alien in that situation, the modern day Earthman, or the local? It's a plot staple of the classic old Twilight Zone series and the basis of a lot of films, including the entire Planet of the Apes series. It's the allegorical mirror of Pogo's famous "we have met the enemy and he is us."