Results tagged “dwayne johnson”

There are two fundamental problems with the action "comedy" Pain and Gain: First, Michael Bay is the wrong director for this sort of material, and second, whoever cast the likable Mark Wahlberg and Dwayne Johnson in the film made a terrible mistake. I like Wahlberg and Johnson, and that's the problem: In the film the criminal masterminds they portray are such losers that it's just wrong to have these two popular actors in these roles.

Pain and Gain is based on real life events: Sun Gym was a cut-rate bodybuilder's gym just north of Miami, marketed and mostly run by a self-aggrandizing personal trainer with a shady past. Daniel Lugo (Mark Wahlberg) trains all the rich and beautiful Miami denizens and has a buddy Adrian Doorbal (Anthony Mackie) who shares Lugo's dissatisfaction with the crummy deal they've got. "You ain't gunna be rich being a personal trainer" they repeat like a mantra.

Enter rich Jewish entrepreneur Victor Kershaw (Tony Shalhoub) who taunts Lugo about his wealth, his cars, his houses and his women. Being poor is a state of mind, Kershaw keeps telling Lugo. When Lugo goes to a motivational seminar run by Johnny Wu (Ken Jeong) and affirms in front of a crowd that he's a DOER not a DON'T'ER, he hatches a scheme to kidnap Kershaw and force him to sign over money and property.

Add fresh-out-of-prison Paul Doyle (Dwayne Johnson) as the new muscle-bound trainer at the gym and we have our three stooges. When Doyle, Lugo and Doorbal kidnap Kershaw, they figure it'll be a breeze, maybe a day or two tops before Kershaw buckles and gives them everything they want. Except he doesn't and the kidnapping drags out for weeks. There's more to their criminal hijinks, and after Kershaw gets free and tells all to the cops, just to find they don't believe him, the forces of justice end up personified as semi-retired private investigator Ed DuBois (Ed Harris).

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Some films require a specific demographic for full enjoyment, and in the action genre, it seems there are a lot aimed at teen boys. A prime example: Gone in Sixty Seconds. It's not that it's a horrible movie, it's just that the storyline is incoherent, the characters are all one-dimensional, the ending is obvious from sixty seconds past the opening titles and the performances are all uninteresting. And the male/female relationships? It couldn't be more cliche.

And yet, there's a certain sophomoric fascination in a film about cool guys stealing gorgeous cars and trying to score with the sexy gals. Really, it's a perfect film for a teen boy, even if his date's going to be distracted, wondering whether this means she can now convince him to see the latest Rom-Com with her next weekend.

G.I. Joe: Retaliation is in the same category, and if I could just shut down the mature, adult part of my brain, the boy inside would totally dig the tough guys, monosyllabic dialog, shiny toys, loud guns and non-stop action, while ignoring the completely muddled and confusing plot, terrible story arc, random scenes added based on exit surveys of screening audiences, and misunderstanding of world politics. But hey, it's the Joe's and they represent all that's great about America, right? Booyah!

The film opens with the G.I. Joe team -- led by Duke (Channing Tatum) -- sneaking through the DMZ fence separating North and South Korea to extract a prisoner from the North Koreans. All of whom apparently really need new glasses because even when the GI's are directly under a spotlight, the Koreans can't see them crouched on the edge of the fence. And the prisoner? Why he's there, who he is, what happens to him afterwards, that's all on the cutting room floor apparently, because the scene had no relevance to the film at all. And that sets the tone for the entire movie.

As has been widely publicized, actor Channing Tatum's popularity took the production team by surprise so they delayed release of G.I. Joe: Retaliation to add more footage with Duke. Unfortunately, it's all obviously a last-second addition that adds nothing to the film at all, even for the most die-hard of Tatum fans. Soon enough it's Roadblock (Dwayne Johnson likable as always) who is in charge of the Joe's and the squad's on the run, wanted for crimes against the United States, while bad guys have taken over the country and, soon, the world.

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faster one sheetDwayne "The Rock" Johnson has successfully transitioned from a pro wrestler to an actor with some decent films to his credit, including The Rundown, a remake of Walking Tall and Get Smart, along with, inevitably, some real clunkers, including the oddly off-the-mark remake of Race to Witch Mountain and the ghastly Tooth Fairy. Johnson is solid in Faster, and it's a pleasure to see him back in top form.

Faster is a throwback to the action films of the 1970's, from the production color schemes to the film stock and camera angles utilized by cinematographer Michael Grady. If you're not familiar with classics like Shaft, The French Connection, Dirty Harry, Enter the Dragon and the original Walking Tall, however, you might find yourself a bit confused by the unrelentingly serious and aggressive feel of the film. There are no humorous interludes, not much of a love interest, just a story of revenge.

Johnson plays "Driver", a tough-as-nails hoodlum who we first meet on the day he's being released from a maximum security prison after ten years of incarceration. During his exit interview with the warden (Tom Berenger), he only wants one question answered: which door leads to the exit? Upon release he runs a few miles into town because there's no-one at the prison gates to meet him. From his first minutes of freedom, he's focused on tracking down the crooks who double-crossed his gang, killing his much-loved kid brother and leaving him bleeding to death.

The genre formula has a policeman as the antagonist, trying to track down and capture the criminal, and Billy Bob Thornton plays this role, one he's played in countless films. He's a highly imperfect slob of a cop, though his relationship with Driver proves surprisingly complex as their cat-and-mouse game defines the tension of the film.

I really enjoyed Faster and found it a throwback to the classic action films of my childhood, tough and exciting. If you've been weaned on the modern crop of cop dramas, you might find it rather dark, but if films like Bullit, The French Connection or Dirty Harry are your idea of a satisfying action adventure, then you'll find Faster a solid, enjoyable movie.
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the other guys one sheetI take notes as I watch films so that I can remember salient plot points, great effects, and idiotic story twists. During The Other Guys, I wrote down "buddy cop film from hell".  That might well sum up the weird mashup that is The Other Guys, a movie that can't decide if it's a straight-up action film, a satire that skewers the well-worn buddy cop genre, or a daft, sophomoric comedy in the vein of Police Academy.

NYPD supercops Highsmith (Samuel L. Jackson, who has become a parody of himself) and Danson (the ever-likable Dwayne Johnson) overshadow everyone else in their precinct with their ludicrously over-the-top heroics in the line of duty. $12 million in damage to capture criminals with a quarter-pound of marijuana? All in a day's work.

Meanwhile, Hoitz (Mark Wahlberg) is a hotshot detective demoted to desk work for a heinous gaffe that I won't spoil, partnered with the annoying and cowardly Gamble (Will Ferrell). The Other Guys is rife with cinematic cliches, including another pair of cops that constantly tease them and a precinct captain (Michael Keaton at his comedic best) who moonlights at Bed, Bath & Beyond.

Here's the thing: As much as I groaned at scenes and dialog, I also laughed again and again as classic film tropes were parodied (with surprisingly good production values) and one-liners were trotted out as fast as they could be spoken. Did it stink or is it worth seeing? That might well depend on your familiarity with the genre -- especially Pulp Fiction, a clear inspiration -- and ability to handle the oft-crass comic touch of co-star Will Ferrell. The Other Guys is a film destined for cable TV, but if you're looking for a good, simple laugh, this might well be your ticket for a weekend no-brainer.
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planet 51 one sheetIf we land on another planet -- or back here on Earth -- and find something other than what we expect, who is the alien in that situation, the modern day Earthman, or the local? It's a plot staple of the classic old Twilight Zone series and the basis of a lot of films, including the entire Planet of the Apes series. It's the allegorical mirror of Pogo's famous "we have met the enemy and he is us."

This is also the starting point for the lackluster but amusing Planet 51, starring the voice talents of Dwayne Johnson (as NASA captain Charles Baker), Justin Long (as the boy Lem), Jessica Biel (as Neera), Gary Oldman (General Grawl) and John Cleese (as dorky Professor Kipple).  It seems NASA has mastered galactic flight and has sent the dashing Charles Baker across the universe to explore an uninhabited, but Earth-like planet.

Later we find he's following the Wall-E inspired "Rover" probe, which vanished once it landed on the planet, but at the beginning the film starts by showing us an idyllic suburban small town a la Hill Valley in Back to the Future. The setting is mostly the 1950's (hence the "51" in Planet 51, presumably, because it's hard to imagine a stable solar system with over fifty planets) though there's a bit of 60's hippie bleedover, including a VW van covered in peace slogans and the long-haired teen rebel Glar (Alan Marriott).

Ultimately, though, the sight gags and light storyline of an alien populace terrified of invasion and the table-turning irony of it being an Earthman -- one of "us" -- who ends up being the invader from another planet are not enough to sustain this pretty, but vacant children's fare. That's why I'd suggest this is a good DVD rental with its bright colors and bouncy narrative, but not worth $20+ of your hard earned cash to take the kids to a matinee.
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